Cory Wong: The sixfold path to six string mastery
…same time.’ Diana Ross – I’m Coming Out ‘I mean…come on….Nile Rodgers….sometimes you hear guys comping on a chord progression and it just sounds like they’re messing around having fun…Nile…
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Inception to Mixdown: Max ZT talks us through the creation of House of Waters’ Hamza
…this composition different to your usual working methods? Max ZT: ‘This piece was actually quite similar to others in our compositional approach. One of us would come up with a…
Guide to the Week of Music: Blues in Texas, KOKOKO! and More.
…to piece together important historic documents of the music they adore, but occasionally, fall short of their target. The Blues Come to Texas is one such ethnomusicological example. A collaborative…
Indisputable Truths: A five track introduction to Brother Ali
…light bill comes, and the mortgage bill comes and you move on. The frustrating part is how little the public cares, and I’m guilty of it too’. With peace and…
Just announced: The Impossible Gentlemen
…worked on many projects together. Adam’s work with Michael Brecker won a Grammy in 1988. “They ooze musical authority” The Arts Desk “as perfect an example of the balance between team…
Slow Moving Clouds release wondrous sophomore album and reflect on their experience at the 2018 PEOPLE festival
…which nurtures such experimentation. ‘We were taken by the idealism and communality of it,’ Diamond elaborates, “a daring way to build both ‘real life’ and digital communities, serving the audience…
Glenn Herweijer of Artificial Intelligence discusses a decade of Integral and the art of the remix
…rhythmic sense of jungle and the ethereal qualities of artcore – it grabbed the attention of listeners, DJs and labels such as V recordings, Soul:r, Commercial Suicide and Dispatch. In…
Guide to the week of music: Musical dedications, Cory Wong on The Fearless Flyers and new videos from Bob Reynolds and Skeltr
…compelled to write music in his honour, sometimes dedicating compositions to him explicitly. Of the many moving examples, Nancy Dupree’s Docta King, Herbie Hancock’s I Have a Dream and Nina…
On-U Experienced? – A four track introduction to Adrian Sherwood
…choice, developing the musical ear, technical know-how, and all-important personal skills necessary to combine the essential ingredients in the studio, and bottle lightning from behind the board. We’re excited to…
Silver Apples: A Review
…is a testament to how to change a project without losing the key essence of a group. Tonight’s gig highlighted Band on the Wall’s commitment to celebrating free thinking and…
Rapper Barney Artist on collaboration, day jobs, candid lyrics and Uganda roots
London-based rapper Barney Artist has put in the hard yards for his recent successes. His sold out 2018 tour, cluster of dates supporting rap icon Common, and accomplished debut album…
The Funky Knuckles have been listening to…
…incredible depth harmonically as well as rhythmically. Also his compositions have a good balance of complexity and strong melodies. His music always inspires me to play more thoughtfully and think…
Interview with David Thomas, Pere Ubu
…for combining acoustic and synthetic sounds before, and creating interesting textures as a result of this. Are there any albums you feel have done this brilliantly before, or any composers…
Rock of Ages: A five track introduction to Os Mutantes
…a psychedelic whirlwind. It combines baroque classical music with fuzzy psychedelia, folk instruments and tape manipulation – arranging and presenting its components in the sound collage style (think Good Vibrations…
A five track guide to the electronic side of Richard Spaven
…command of the kit. Later remixed by SBTRKT, Jus Wan and Rockwell respectively, Warrior’s full electronic potential was realised and Spaven’s groove was no doubt inspirational to the producers programming…
Inception to Mixdown: Tom Challenger breaks down the making of Fofoulah’s Seye
…producing tracks. Roughly how much time do you spend in the studio completing Seye? Was it a challenging track requiring lots of alterations, or did it flow freely? TC: ‘The…