Snarky Puppy, the three-time GRAMMY-winning genre-defying collective return to the U.K in celebration of their new album ‘Immigrance’, released March 15th 2019 via GroundUP Music. Tickets on sale now.
6 November – Bournemouth – o2 Academy
7 November – Nottingham – Rock City
8 November – Bristol – o2 Academy
9 November – Oxford – o2 Academy
15 November – Manchester – o2 Apollo
16 November – Glasgow – Barrowland Ballroom
Like their last album, 2016’s GRAMMY-winning Culcha Vulcha, Immigrance is a studio project, and it features most of the same musicians. And though it shares that project’s ace musicianship and dynamic, kinetic spirit, it is also rawer and moodier than its predecessor. Several of the compositions put a newfound emphasis on delivering simpler, streamlined impact, and bassist, composer and bandleader Michael League, as producer on the album, left in the tiny flubs and unvarnished textures that accompany great organic performances.
Immigrance is also all about movement. “The idea here is that everything is fluid, that everything is always moving and that we’re all in a constant state of immigration,” explains League, who founded Snarky Puppy in 2003 and has helmed it into one of the most popular, virtuosic and influential bands of the current jazz and instrumental-music renaissance. “Obviously the album’s title is not without political undertones.”
But Immigrance doesn’t aim to scold or condescend; rather, its mission is one of uplift, a testament to what humanity can achieve when cultures are able to come together without fear. As ever, that globally minded synthesis, tapping into a far-reaching spectrum of musical styles and approaches, is front and center throughout Immigrance. “Like Culcha Vulcha,” League says, “this record is largely informed by our travels, and we’re always trying to pass specific ideas through our filter and into our idiom without being disrespectful to the tradition at hand.”
A multicultural perspective isn’t the only way in which Immigrance leans into themes of cooperation and equality, however. Its writing credits extend beyond League to include contributions from the group’s vast, ever-shifting lineup, and the album’s rhythmic component is rooted in a groundbreaking strategy: Drummers Jamison Ross, Jason “JT” Thomas and Larnell Lewis share sections of each composition—without overlapping. “Whenever you feel a big change in the section of a song,” League explains, “just know that it’s another drummer playing: verse to chorus, different drummer; chorus to solo section, different drummer; solo section to bridge, different drummer. But they do it so seamlessly and beautifully that you just notice, ‘Oh, that snare feels a little different,’ or ‘That rhythm has a different energy.’ It really brings new life into each section.”
Throughout its countless gigs and dozen previous albums, Snarky Puppy’s not-so-secret weapon has been diversity. After all, what better way to make all-embracing music than to utilize musicians from every corner of the U.S. in addition to Argentina, Japan, Canada, the U.K. and elsewhere? So with Immigrance, Snarky Puppy is essentially practicing what it’s preached all along. “The band itself is a representation of what we’re trying to express musically,” League explains. “That people from different places can bring their various strengths and experiences, and how that can be beautiful and cohesive.”
“Many artists have attempted to bring jazz, kicking and screaming, into the modern age. Snarky Puppy, a loose collective from New York by way of Texas, makes it look effortless.” – SF Chronicle
“With their clever mix of jazz, funk, rock, and world music, they’ve reached a wide audience while remaining a moving target.” – WNYC New Sounds
“Enjoy a wild cruise through jazz, funk, and R&B…” – L.A. Times