CARM is the solo project of multi-instrumentalist, producer, and arranger CJ Camerieri. Whether it’s playing the iconic piccolo trumpet solo on Paul Simon’s “The Boxer;” anthemic horn parts on songs like The National’s “Fake Empire,” Sufjan Stevens’ “Chicago,” or Bon Iver’s “For Emma, Forever Ago;” performing with his contemporary classical ensemble Music; or recording lush beds of french horns for artists from John Legend to The Tallest Man on Earth, you have very likely heard Camerieri play. He is the musician that musicians want to play with, and that is further evidenced by the cast on his debut album.
The music of CARM features the trumpet and french horn in roles typically reserved for drums, guitars, and voices, while also seeking to escape the genre categorisations normally reserved for music featuring an instrumentalist as bandleader. It is not jazz or classical music, nor is it a soundtrack to a larger narrative. This is contemporary popular music that features a sound normally used as a background color and texture as the unabashed lead voice. According to Camerieri, “CARM started with the question: ‘What kind of record would my trumpet- playing heroes from the past make today?’ I believe they would want to work with the best producers, beat makers, song-writers, and singers to create new, truly culturally relevant music, and that’s what I sought to do with this project.”
An unreserved seated show with limited standing room.
...rethinks the horn’s role as an album’s driving creative force.Pitchfork